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"[Rosebiani] manages to depict the still horrendous conditions faced by the region's women while demonstrating the growing artistic freedom seeping into its milieu."

                                                                                                                                            -Frank Scheck, The Hollywood Reporter, Feb. 19, 2014

"At times the film will remind you of magical realism. Viyan climbs a tree in a wedding dress to avoid Hemmo's all-too-persistent advances, a scene that will remind you of a Gabriel Garcia Marquez novel."

                                                                                                                                            -Louis Proyect, NY Critic / Blogger, Feb. 22, 2014

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